Daddy Long Legs

whatwouldjoestrummerdo:

I’ll tell you right now, you’re worth it.  You’re worth anyone’s time, always.  Ain’t no one too good for friends and if they think they are, they don’t deserve ‘em.

You ain’t a nuisance.  Everyone’s lonely – everyone needs human company – and some of those people are sittin’ in their houses right now, wishin’ someone would talk to ‘em.  It takes courage to make the first move, yeah, but it’s worth doin’.  I’d say, go for it.  You got nothin’ to lose if they don’t answer.


Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.

— Brian Eno (via cavetocanvas)

(Source: jessiethatcher)


I can see what you can’t.

I can see what you don’t want to see.

I try and try, but I can’t make you see.

When you look at me, you see what I can’t see. 

Maybe we should close our eyes for good.